The Actor Ichikawa Omezō in the Role of Soga no Gorzō, 1792. Nishiki-e (polychrome woodblock print), 27.2 x 12.7 cm. Rijksmuseum Volkenkunde, Leiden.
Spring at Enoshima (Enoshima shunbō), from the series The Threads of the Willow (Yanagi no ito), 1797. Nishiki-e (polychrome woodblock print), 24.9 x 38 cm (Ōban). British Museum, London.
Suehirogari, 1797-1798. Nishiki-e (polychrome woodblock print), 20.7 x 31.9 cm. Library of Congress, Washington, D.C.
Crossing a Bridge, from the kyōka album Men's Stamping Dance (Otoko dôka), 1798. Nishiki-e (polychrome woodblock print), 21.4 x 36.4 cm (Ōban). Museum of Fine Arts, Boston.
The Sanctuary of Jūnisō in Yotsuya, Edo, late 1800s. Nishiki-e (polychrome woodblock print), chūban. Tokyo National Museum, Tokyo.
Standing Courtesan with an Apprentice, c. 1802. Kakejiku, ink and colour on silk, 76.5 x 41.2 cm. Hokusai Museum, Obuse.
Illustrated Book of the Two Banks of the Sumida in One View (Ehon Sumidagawa ryogan ichiran), 1805. Ehon, nishiki-e (polychrome woodblock print), 28.5 x 19 cm (each page). Chiba City Museum of Art, Chiba.
Act V, from the series The Syllabary Chushingura (Kanadehon Chushingura), 1806. Nishiki-e (polychrome woodblock print), 25.1 x 37 cm. British Museum, London.
At Sea off the Kazusa Coast (Kazusa no kairo), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), c. 1830-1832. Nishiki-e (polychrome woodblock print), 26 x 38.4 cm (Ōban). Private collection.
View of Koshigoe from Shichirigahama (Shichirigahama yori Koshigoe o enbo), 1829. Surimono, nishiki-e (polychrome woodblock print), 20.5 x 17.9 cm (shikishiban). Ostasiatische Kunstsammlung, Museum für Asiatische Kunst, Staatliche Museen zu Berlin, Berlin.
The Sazai Hall of the Temple of the Five-Hundred Rankan (Gohyaku rakanji Sazaidō), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), c. 1830-1832. Nishiki-e (polychrome woodblock print), 25.5 x 37.9 cm (Ōban). Rijksmuseum Volkenkunde, Leiden.
View of the Mitsui Store on Suruga Street in Edo (Edo Surugacho Mitsuimise ryakuzu), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei), c. 1830-1832. Nishiki-e (polychrome woodblock print), approx. 25 x 38 cm (Ōban). Bibliothèque nationale de France, Paris.
The Ghost of Oiwa (Oiwasan), from the series One Hundred Ghost Stories (Hyaku monogatari), 1831-1832. Nishiki-e (polychrome woodblock print), 26.2 x 18.7 cm (chūban). Musée national des Arts asiatiques - Guimet, Paris.
The Home of Dishes (Sara Yashiki), from the series One Hundred Ghost Stories (Hyaku monogatari), 1831-1832. Nishiki-e (polychrome woodblock print), 25.5 x 18.6 cm (chūban). Clarence Buckingham Collection, Art Institute of Chicago, Chicago.
A Couple Making Love, from the Picture Album of Couples (Tsuhi no hinagata), c. 1812. Ehon, nishiki-e (polychrome woodblock print), shunga, 24.9 x 37.4 cm. Gift of James A. Michener, Honolulu Museum of Art, Honolulu.
Cranes on a Snowy Pine Tree, c. 1834. Nishiki-e (polychrome woodblock print), 52.7 x 23.6 cm (nagaban). Gift of James A. Michener, Honolulu Museum of Art, Honolulu.
Blue Kongo (Seimen Kongo), c. 1790. Nishiki-e (polychrome woodblock print), 37.3 x 13.7 cm. Gift of James A. Michener, Honolulu Museum of Art, Honolulu.
The River of Jewels near Mishima, c. 1802. Ink, colour, and gofun on paper, 88.2 x 41 cm. Hokusai Museum, Obuse.
Tiger among the Bamboo under a Full Moon, c. 1816. Colour on silk, 104 x 33.3 cm. Museo d’Arte Orientale – Edoardo Chiossone, Genoa.
Depiction of a Grand Kabuki Performance in the Eastern Capital, by the Originator of Perspective Pictures (Uki-e genso Edo kabuki o-shibai no zu), c. 1779-1793. Uki-e, nishiki-e (polychrome woodblock print). British Museum, London.
Mount Fuji and an Old Pine, c. 1802. Kakejiku, black ink, colour, and gofun on silk, 29.4 x 53.7 cm. Japan Ukiyo-e Museum, Matsumoto.
© 2014 by Confidential Concepts US.
